I’ve heard the single (same name as album) a few times on BBC Radio 6 Music and each time it’s on, I think, “Is this Lamb / Lou Rhodes?” only to be wrong each time! I’m not familiar with her but my friend caught her live at Hyde Park recently and enjoyed her set immensely. A radio DJ recently explained on-air that Kathryn adopted “Joseph” as her surname after the name of her late-son. It seems such a deeply personal touch to a press release, one that would cause any listener to instantly will her some success and happiness. You just knew, however, that the album that would follow would be sad, introspective and haunting. We weren’t wrong.
Album only just released today (10/08/18) and I have only listened to it once. Initially, I am slightly bored with over-egged vibrato kneeling at Agnes Obel’s alter. The piano-riffs are samey throughout and the songs appear to bleed into each other. My ears do perk up on “There Is No God But You,” however, which is undeniably moving.
It’s a bit like voluntarily watching Schindler’s List, unfortunately. I know that the album has been beautifully crafted from real pain and artistry but I’m not sure how often I can sink into this dark space she’s dug from the dozen songs on this album. It’s so sad and harrowing and quite frankly, hard to crawl back out of.
Fans of Lamb, Joanna Newsom and Agnes Obel may like this.
From When I Wake The Want Is – Kathryn Joseph
10 AugNadine Shah – Holiday Destination
25 SepTexturally beautiful with very dark, undulating production. Unfortunately, I don’t feel that the majority of the songs on this album develop in a way that I find wholly gripping. Having said that, Holiday Destination as a whole is beautiful and takes her up a notch in the Goth camp. The album offers up menacing repetition, intriguing lyrics (“all these folk think that I am evil like I am the living devil himself”), minor chords and is very heavy on multi-tracked vocals and Leslie Cabinet effects.
Standout song for me is “Relief,” which, to be fair, is really fucking good. Hints of mid-Eastern loveliness and dirty sax which reminds me a bit of Bowie’s Black Star in places with a catchy vocal riff.
Fans of Joy Division, experimental Tom Waits, introspective Sonic Youth and early PJ Harvey might like this… but then again, all of those references have a bit more to them.
I like what this album is doing, don’t get me wrong! I just find it falls short of something that makes it interesting enough to want to listen to again and again.
This Day In Music – 3rd March
4 MarYesterday, 3rd of March, we had the following:
1965
Elvis Presley’s “Girl Happy” – Great sunshine music and the sun is indeed shining here today.
1975
Roberta Flack’s “Feel Like Makin’ Love” – I LOVE this and will try to remember for summer time to enjoy whilst lounging on a picnic blanket. It’s so groovy and sunny and lovely.
1985
Atlantic Starr’s “As The Band Turns” – Twee 80s but well-produced. Slightly reminiscent of Scritti Politti & Prince in places.
2005
Jack Johnson’s “In Between Dreams” – Very popular here when it was released, we recognised 3 singles from it. Too nicey-nice for me but perfectly executed acoustic-pop.
Mars Volta’s “Frances the Mute” – Just WOW! Have you heard these guys before? I’d heard of them but this is my 1st listen. They’re from El Paso and they’re tearing it up!!!! Also, I love the story behind this concept album. Loosely based on characters from a diary found in a repossessed car by a sound engineer. Apparently. It’s brilliant!!!
Judas Priest’s “Angel of Retribution” – Brummie rock!!!! Too much double-bass-drum-pedal going on for my liking. Also, a bit like a poor Iron Maiden impersonation in places. Good harmonies and guitaring though. Not a band album of its ilk but easy on that drum pedal, guys! And the names of the songs are a parody of rock, surely! “Lochness” could be straight out of Spinal Tap! Ha ha! Wayne has since pointed out that this is not the original line-up.
Kathleen Edwards’ “Back To Me” – She had a song on the radio a couple of years back which I thought was really overrated yet they kept on playing it. I even wrote in to complain. Yeah, my life is pretty hard. This album is erring on the side of MOR but inoffensive enough, I guess. Some of it is quite pretty as well, just a bit boring. Wants to be Beth Orton but is closer to Cheryl Crow without ties to Eric Claption or a great snarl.
Also from 2005
I couldn’t find Jessi Alexander’s “Honeysuckle Sweet” nor could I bring myself to listen to all of Jennifer Lopez or 50 Cent (21 songs! All of them “explicit”!). Also, the decsriptions “worship album” and “Christian rock band” have put me off Kutless’ “Strong Tower” album. I listened to 1/2 of the 1st song and I think I get the gist. Holy, holy, holy….
2015
Purity Ring’s “Another Eternity” – These were quite big in UK a few years ago. I thought they were a sex-toy back then as well. 4AD are one of my favourite independent record labels so had high hopes for this. Alas, it’s almost too polished and poppy for my liking. Nicey-nice in a Chvrches, innocent teeny-bopper sort of way with Euro-electronica by numbers. Struggling to understand how this is any more credible than, say, Ellie Goulding.
Of Montreal’s “Aureate Gloom” – If Suede and Eno had a disco lovechild you’d have Of Montreal! Lovely psychedelic artwork and jaunty, angular tunes.
Snowbird – Moon
21 JanHmmmmm…. this is the new album from Bella Union label owner and 1/2 of Cocteau Twins, Simon Raymonde.
I suppose I really want to like it and it is dreamy, wintery and quite pretty. But. You know what? It’s not Cocteau Twins.
And it sounds like it’s really trying to be. Apparently the vocals are supplied by his ex-girlfriend. She’s no Liz Fraser.
And I can’t get over how pretentious the band & album name are.
*Reaches for my vinyl copy of Treasure and never bothers with this again*
Thee Silver Mt. Zion Memorial Orchestra – Fuck Off Get Free We Pour Light On Everything
19 FebAnother recommendation from Dad.
Bursting out of the speakers like mad hornets at a wake for the death of Arcade Fire, this album takes no prisoners. Chain yourself to the fence whilst it blows your hair back. Hellish, grinding and relentless with the occasional island of beauty. I can imagine they are amazing live. A lot of jamming on single notes, a la The Velvet’s “Black Angels Death Song,” with a similarly menacing fiddle.
The opening title track is immense. Canadians seem to get this shit so right, adding yet another great band to the list, buddying up with the likes of Godspeed You Black Emperor, Besnard Lakes and Black Mountain.
One to buy on vinyl fo’ sho’.